March 14th–20th, 2016 / Cinema Muzeul Țăranului, Cinema Elvire Popesco, Universitatea Națională de Muzică / the 6th edition

ABOVE THE WEATHER

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Directed by: 
THE BUREAU OF MELODRAMATIC RESEARCH
11'
Cinema Elvire Popesco - Tuesday, March 15, 2016 - 18:00
Cinema Muzeul Țăranului - Friday, March 18, 2016 - 20:30
Written by: 
The Bureau of Melodramatic Research
Cast: 
Alina Popa, Irina Gheorghe, Nicola Masciandaro
Cinematography: 
Virgil Babușcov, Alexandru Andrei
Editing: 
Alexandru Andrei
International Premiere
The Bureau of Melodramatic Research delivers the last installment of their Alien Passions trilogy with the video performance titled Above the Weather. Hidden by the genre veil of the road movie, artists Alina Popa and Irina Gheorghe perform as two coquettish socialites on their way back home. Framed in their turn-of-the-century convertible, their preening conversation stands in oblivious contrast to the surrounding desolate industrial landscape of Romania’s oil-fields and the radio announcements forecasting an impending environmental apocalypse. Captive to the pathetic fallacy of 1950s Hollywood melodramas, Above the Weather is an incisive commentary on our catastrophic dependency on fossil fuels, beckoning us to ‘keep calm and carry on’ gently into the good night, to the telling tune of Eurovision’s parochialism. (Andrei Tănăsescu, BIEFF)
Director: 

Biroul de Cercetări Melodramatice

Irina Gheorghe and Alina Popa founded The Bureau of Melodramatic Research in 2009 as a dependent institution investigating the affective modulations of contemporary politics and the emotional performance of labour in the new economy. Their most recent project is a performance and film trilogy taking the form of TV instructional shows also performed as live sessions, a reflection on alienating effects and affects of the current economy of moods. The trilogy builds on the double bind of alienation, on the one hand a process of externalization (and commodification) of emotions and well being, but also an inverse movement of possession by external forces. Rather than lamenting this self-estrangement, the trilogy aims to explore its potential of de-interiorization and distance, recognizing the blurry borders between an intimately confined inside and a terrifyingly anonymous outside. The first two parts of the project are Protect Your Heart at Work, a safety training for the post-fordist emotional workplace and Lovegold: Contemporary Alchemy, a cosmic cooking show proposing lovegold as a composite for an extended economy which does not start or end with the human element. Above the Weather is the last part of the trilogy.

Contact: 
mimodrama[at]gmail[dot]com
Festivals, awards: 
  • The Dark Side of Nature, group show - National Museum of Contemporary Art, Bucharest, 2016
  • Feminism is Politics!, group show - Manhattan Gallery, New York, (forthcoming 2016)
Director's statement:
Above the Weather
, the third work in the trilogy Alien Passions, makes reference to Douglas Sirk’s Written on the Wind (1957), taking the title literally, and hinting at the immaterial aspects of weather, and to the materiality of emotions, to the circuit linking affective and natural climates. One of the main characteristics of the melodramatic genre was the emotional charge of its characters pitted against nature, while the broader context of global warming and climate change recasts emotions as alien forces coming from the nonhuman realm as an uncontrollable demonic possession. Above the Weather, a simple breath is the start of a new climate, a whirl of thought is a cyclone and drops of tears gather in dubious waste ponds. (The Bureau of Melodramatic Research)