24 – 29 noiembrie 2020 / Online / ediția a 10-a

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PASSAGE

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Directed by: 
ANN OREN
13'
Online - Friday, November 27, 2020 - 21:00
Written by: 
ANN OREN
Cast: 
Simon(e) Jaikiriuma Paetau
Cinematography: 
Juan Sarmiento G.
Editing: 
ANN OREN
Sound: 
Manuela Schininá
Music: 
Manuela Schininá
Producer: 
ANN OREN
ANN OREN creates a choreography from the professional routine of a foley artist, played by Simon(e) Jaikiriuma Paetau, who works on the sounds of an equestrian training sequence. The intensive work of the artist gets a bit goofy, but not too much. However, the farce is waiting around the corner – more and more sensual, the artist dissolves their identity into that of the horse. Now they are ​​performing for the camera, in sync with the training sequences that OREN continues to insert. You can't think of the ideational implications while this queer, non-binary and naughty centaur is on screen. You’re charmed. Only after does decryption begin. (Călin Boto, BIEFF 2020)
Director: 
ANN OREN’s films and video installations explore the performative quality of everyday life. She investigates collective desire with characters who exist in the liminal space between performers and audience, winking at legends from the history of literature, theater and cinema. Her work’s presentations include The Moscow Biennial for Young Art, The Hammer Museum (Los Angeles), The Tel-Aviv Museum, Anthology Film Archives (NY), Rotterdam International Film Festival, Oberhausen Kurzfilmtage, BFI London, Dok Leipzig and Locarno Film Festival. Born 1979 in Tel-Aviv, Ann studied Film (BA) and Fine Arts (MA) at The School of Visual Arts, NY. She lives/works in Berlin and Tel-Aviv.
Festivals, awards: 
Oberhausen 2020 / BFI London Film Festival 2020 / Hamburg Short Film Festival 2020/ Kasseler Dokfest 2020
“A foley artist’s job is to enhance the illusion of reality in a film using sound. In my film, the foley artist uses his body to create sounds for a looping horse in passage - a dressage term for a slowed down trot. Through his meticulous sound reenactments, a human-animal passage comes to light. Up until the 90’s, foley artists were not even regularly credited in films. PASSAGE was made with love to all the backstage magicians who make cinema what it is.” (ANN OREN)