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Saturday, November 28, 2020 - 17:00
Written by:
BEN RUSSELL
Cinematography:
Chris Fawcett
Editing:
BEN RUSSELL
Sound:
BEN RUSSELL
Producer:
BEN RUSSELL
Production:
Dimeshow
“In a “master class of psychedelic ethnography”, RUSSELL takes his transcendent cinema to new heights with his fascinating RIVER RITES, which transforms an idyllic riverside scene of a group of Saramaccan Maroon children - playing and washing in the river - into a sort of sacred animist rite.” (New Zealand Film Festival)
“Mystery and beauty are created through a simple cinematic device. A river somewhere in Suriname: children and young adults run about in the water. From this scene that has a mythical sense to it, the filmmaker creates a dance, in which the grace of the people’s gestures becomes pure energy and rhythm. A cinematographic play in the truest sense of the word, reminiscent of some of Maya Deren’s films. Or, in other words, how cinema becomes poetry, the human body a tireless tightrope walker, and some simple dance steps a philosophy of life.” (Senscritique)
“Misterul şi frumuseţea acestui film au la bază un truc cinematografic simplu. Un râu undeva în Surinam: copii și tineri zburdă în apă. Regizorul transformă această scenă cu aer de mit într-un dans, în care grația gesturilor protagoniştilor devine energie şi ritm în formă pură. Un joc filmic în cel mai adevărat sens al cuvântului, amintind de unele dintre filmele Mayei Deren. Sau, în alte cuvinte, un film despre cum cinemaul devine poezie, corpul uman un artist acrobat neobosit, iar câţiva paşi simpli de dans o filozofie de viață.” (Senscritique)
Director:
BEN RUSSELL (1976) is an American artist, filmmaker and curator whose work lies at the intersection of ethnography and psychedelia Formal investigations of the historical and conceptual relationships between early cinema, documentary practices, and structuralist filmmaking result in immersive experiences concerned at once with ritual, communal spectatorship and the pursuit of a 'psychedelic ethnography’. Russell was an exhibiting artist at documenta 14 (2017) and his work has been presented at the Centre Georges Pompidou, the Museum of Modern Art, the Tate Modern, the Museum of Modern Art Chicago, the Venice Film Festival and the Berlinale, among others. He is a recipient of a 2008 Guggenheim Fellowship, a FIPRESCI International Critics Prize (IFFR 2010, Gijón 2017), and premiered two of his feature films at the Locarno Film Festival (2013, 2017). Curatorial projects include Magic Lantern (Providence, USA, 2005-2007), BenRussell (Chicago, USA, 2009-2011), and Hallucinations (Athens, Greece, 2017). He is currently based in Marseille, France.
Contact:
LIGHTCONE
Festivals, awards:
Grand Prize - Bucharest International Experimental Film Festival 2013 / Venice International Film Festival 2011 / Rotterdam International Film Festival 2012 / Best Documentary Short – Chicago Underground Film Festival 2012 / Intangible Heritage Award – Cinéma du Réel 2012 / Grand Prize - Media City Film Festival Ontario 2012 / CPH DOX International Documentary Festival Copenhagen 2012 / Ann Arbor International Experimental Film Festival USA 2013 / Viennale 2013 / Special Mention – Rencontres Internationales du Documentaire de Montréal 2012 etc.
“On the banks of the River Suriname, Ben Russell films people swimming, a fisherman drawing in his net, a young girl washing clothes on a stone. Here, the unity of time seems to be a given: it is the length of a single shot, a super-16 film reel. But by showing and reshowing this segment, which he had made for a previous film and then left aside, the artist-filmmaker quite literally plunges us in. He successfully undoes the chronology of these movements, which already had an air of strangeness about them due to the smoothness of the Steadicam. He deviates the course of the river itself. A fisherman’s net becomes a bride’s veil. A simple process, already used by the Lumière brothers. But in this primitivism, RUSSELL finds what he calls the minor secrets of a Saramacca animist – and this riverbank is in fact a sacred place. RIVER RITES thus falls into the continuity of his previous TRYPPS series: the flashing signs in Dubai, a procession of branches in Black and White TRYPP number 2… His twisting of the word trip materializes in this film as gestures that transform into ritual. Mindflayer’s noise music heightens the sensation of losing one’s footing. Cinema makes possible the impossible, contradicting Heraclitus: in RIVER RITES, you do swim in the same river twice.” (Cinema du Réel)

